Angemeldet als:
filler@godaddy.com
Angemeldet als:
filler@godaddy.com
„[…] Beautiful. Two delicate pieces of highly atmospheric music […] Some eleven minutes is the total time of this record, and that’s way too short. Each side could have lasted longer, and I would have enjoyed it all the same, so maybe doing an album with more of this concert (or, if appropriate, from this period) would be most welcome."
- Frans de Waard
Vital Weekly, 2024
"[...] Seven pieces cloaked in dense and dark atmospheres [...] gorgeous atmospheres to unfold, wrapped in infinite loops. Ypsmael skilfully weaves the creation of evocative soundscapes as haunting as they are poignant."
- Guillermo Escudero
Loop Music Magazine (Chile), 2024
„[...] Ypsmael stops short of producing old-fashioned “noise”, and remains true to exploring the grains and textures of his materials; it’s that genius in the build-up [...] I think he has the potential to create a very distinctive language of his own. Promising."
- Ed Pinsent
The Sound Projector Magazine, 2022
„[...] The studio as an instrument, cooking up surrealistic pieces of music. Throughout, there is a solid musical thread in these pieces, which makes it less electro-acoustic improvisations and more something, well, for the lack of a better word, musical. [...] Smaely P knows what he’s doing.
A very refined album."
- Frans de Waard
Vital Weekly, 2023
„An opulent, raw, almost physical piece, a tour de force, a confrontation [...] just like the powerful soundscape, in constant motion. [...] A sound composition that creates powerful images of two worlds [...].’"
- Award jury, Hörspielwiese Köln, 2022
(Text: D. Irtenkauf; composition & realisation: SmaelyP)
„Black Forest Enigma”
- Rigo Dittmann
Bad Alchemy Magazin, 2024
„[…] It has that somewhat more improvised feeling of musique concrète approaches but lacks the refinement to make it that kind of thing. [...] I prefer the rough ‘n tumble of this over, as things can’t always be all too refined."
- Frans de Waard
Vital Weekly, 2024
(Malerei: S. Krausen, Musik: Ypsmael)
„[...] Electroacoustic music, veering towards the noise end of things while maintaining clarity in sounds, which is a rare thing. They hit, scratch and scrape but keep their music together all along, i.e. it sounds less improvised, which I enjoy very much. The music reminds me of AMM, Morphogenesis, Kapotte Muziek and Kontakta."
- Frans de Waard
Vital Weekly, 2023
„[...] The beautiful yet unprecious recording and the bounty of friction throughout Lost Teeth bring to mind a compact, super-portable Nuova Consonanza. Oh, yes they do. The homemade instrument, the field recording, the non-musical object, and the musical instrument manipulated outside the bounds of tradition propriety serve the needs of these two freedom-lickers [...]"
- Tedium House, 2022
Soon available:
"Of Delusions" by Eloine + Ypsmael
(LP / Download, Label: Chocolate Monk)
Further releases, reviews + audio under
Mueller, N. I. in Betz, S. et al (Eds. / publication details forthcoming), 2025. Multiperspektivische Kontextanalyse in vivo: Fallbeispiel einer Zielgruppe für unterrichtsnahe KI an einer Musikhochschule. Textbook chapter in Angewandte künstliche Intelligenz verstehen und gestalten (working title). Cham: Springer.
Mueller, N. I. (aka Ypsmael), 2017. Box of Black 2017. In Palmizi, C. & Shedhalle Tübingen - Forum für zeitgenössische Künste (Hg.) GENERATE!° Festival für elektronische Künste. Katalog 2017. ISBN-10: 3000580859. ISBN-13: 978-3000580857.
Mueller, N. I., 2011. Proposing Flyvbjergian phronesis and grounded theory as an approach for assessing how MNCs’ internal relations affect Open Innovation. Working paper (correction page 139, revised version). In Binsardi, A. and McLean, A. (Eds.), 2011. Qualitative Inquiry and Grounded Theory Methodology; Symposium Proceedings. London, Lexington Education, ISBN: 19780946881697.
Mueller, N. I., 2024. Workshop instructor for NM Soundindex Gruppenimprovisation für DKollektiv , 7. November 2024 at VEWA Espace de Création, Dudelange-Usines, Luxembourg.
Mueller, N. I., 2024. Producer and recording engineer for Ensemble-Improvisation und Recording Session with Elisabeth Haselberger, Auvikogue, Andreas Usenbenz, Josef Häusel, Ypsmael, 30 September 2024 at NM Soundindex, Meersburg, Germany.
Mueller, N. I., 2024. Artistic direction and workshop curation for Peripheral Techne mit Simon Whetham & Ensemble-Improvisation, 3 May 2024 presented via Latent Space (HfM Trossingen / HFU Furtwangen), VS-Schwenningen, Germany.
Mueller, N. I., 2023. AI and Ethics Discussion Panel Moderator at the International Online Symposium AI in Music: Agency, Performance, Production and Perception, 15 - 16 December 2023 at HfM Trossingen University of Music, Trossingen, Germany.
Mueller, N. I., 2019. Artistic direction and workshop curation for Bryan Day + AeLypsm Solo & Duo Improvisation + Invented Instrument Workshop, 12 - 13 October 2019 at Fabrik Obergfell / Global Forest Kunstverein, St. Georgen, Germany.
Mueller, N. I., 2019. Artistic co-direction for: EUERPI / Ypsmael duo improvisation, 19 August 2019 at Art Emona Symposium, Emona, Bulgaria.
Mueller, N. I., 2019. Artistic co-direction for: Ypsmael / EUERPI duo improvisation, 18 August 2019 for WATER Festival for Contemporary Art at Salt Museum, Burgas, Bulgaria.
Mueller, N. I., 2019. Artistic co-direction for: Ypsmael / EUERPI duo improvisation, 16 August 2019, Hipster Art, Veliko Tarnovo, Bulgaria.
Mueller, N. I., 2018. Artistic direction: MaeLyps & POP present Kyle Motl + Ypsmael duo improvisation, 21 July 2018 at POP, presented by MaeLyps, Meersburg, Germany.
Mueller, N. I., 2018. Artistic direction: MaeLyps & Global Forest present Kyle Motl + Ypsmael duo improvisation, 20 July 2018 for Global Forest, via MaeLyps, St. Georgen, Germany.
Mueller, N. I., 2018. Artistic direction: MaeLyps & Global Forest present Joey Molinaro. Solo improvisation, 4 July 2018 for Global Forest, via MaeLyps, St. Georgen, Germany.
Mueller, N. I., 2017. Artistic co-direction: DUAL Sessions 2017, Symposium für Hörkultur, Co-host of discussion panel titled Welche Rolle spielen Vinyl und Turntable heute? on 14 July 2017 at Deutsches Phonomuseum, St. Georgen, documented via GlobalForest2017.de (now Global Forest Kunstverein e. V.), St. Georgen, Germany.
Mueller, N. I., 2016. Artistic direction: MaeLyps#3 – Unfun[]de[a]d Fest – 3 days, 3 venues, 3 solos, 3 ensembles. Echtzeitmusik, free improvisation, first encounters. With Christian Kobi, Mickey O’Hara, Judith Wegmann, Rea Dubach, Hannes Prisi, James O’Sullivan, Tim Yates, Stefan Krausen, Ypsmael. 27 - 29 June 2016, Iklectik & Arch1, London, and CB2, Cambridge, United Kingdom.
Mueller, N. I., 2013. Artistic direction: MaeLyps#2 – Free improvisation and Echtzeitmusik. Session based on curated first encounters. With Matthias Kispert, Tom Mudd, James O'Sullivan, Adam Parkinson, Tasos Stamou, Artur Vidal, Tim Yates, Ypsmael. 21 May 2013, Arch1, London, United Kingdom.
Mueller, N. I., 2012. Artistic direction: MaeLyps(likewildlife)#1 – Sound Art & Improvisation Performances. With Tonesucker, lll人 (Seymour Wright, Daichi Yoshikawa, Paul Abbot, Tasos Stamou, Lorah Pierre & Ypsmael. 30. November 2012, Unitarian Church, Cambridge, United Kingdom.
Mueller, N. I., 2012. Case studies on collaborative innovation: Using phronesis and thematic analysis to explore the intraorganisational side of open innovation management within multinational corporations. Presentation of extended abstract at the 10th International Open and User Innovation Workshop, 30 July – 1 August 2012 at Harvard Business School, Boston, MA, USA.
Mueller, N. I., 2011. Implementing Open Innovation: Groundwork on a Strategic Transformation Model for Multinational Companies. Presentation at The 2011 World Conference on Mass Customization, Personalization and Co-Creation (MCPC 2011), Theme: Bridging Mass Customization and Open Innovation. November 17 - 19th 2011, Center for Open Innovation, University of California, Berkeley, CA, USA.
Mueller, N. I., 2011. Implementing Open Innovation in the MNC: Groundwork on a transformation model for internal relational capabilities. Working paper in the proceedings for The 9th Open and User Innovation Workshop, July 4 - 6th 2011, at Vienna University of Economics and Business, Vienna, Austria.
Mueller, N. I., 2011. Management routes for Open Innovation implementation: An MNC case study mapping internal relational barriers and capabilities. The 9th Open and User Innovation Workshop, July 4 - 6th, 2011. Presentation at the Roundtable Sessions of the Open Innovation track at Vienna University of Economics and Business. Vienna, Austria.
Mueller, N. I., 2011. Towards open ecosystems: Mapping cultural constraints to Open Innovation variability in multinational companies in the United Kingdom and Germany. Presentation at The 38th Annual Conference of the Academy of International Business (UK and Ireland Chapter), Theme: International Business: New challenges, new forms, new practices. April 14 -16th 2011, at University of Edinburgh Business School, Edinburgh, United Kingdom.
Mueller, N. I., 2011. Open Innovation variability: Cultural constraints to organisational change within multinational companies in the United Kingdom and Germany. Presentation at Innovation Management in the UK Workshop, March 30th 2011, Event organised for the Centre for Innovation in International Business, Anglia Ruskin University, RWTH Aachen, and ARM Holdings, held at ARM Holdings, Cambridge, United Kingdom.